— Michael Onona

So there you are, sitting in someone else’s home in that post-meal enjoyment, the conversation is flowing, friends, family and even a date, when you realise you have a bit of food stuck between your teeth. Not wanting to get up and leave the conversation, you start with the tooth sucking, and when that doesn’t work, you team it with the tongue rolling and flicking action.

Still not having dislodged what your tongue has now decided to tell your brain is a whole chicken leg, conversation is now like being inside a wind tunnel, and with all the subtlety of a fat man in a tutu, you start to plough your fingers into your mouth, hoping a nail will finally do the trick.

It’s only once you look up and realise people are staring, your face contorted, fingers pulled inside your mouth like a demented clown, with drool running down your hand, that you excuse yourself and head for the bathroom.

Scrambling around for the dental floss, and with the dawning realisation that there may not be any dental floss, you spot a book in the corner, so you tear a strip off a page hoping to use it as a blade between your teeth, but all it does is fall soggily apart inside your mouth, after exhausting several strips, you now start to roll them up into spear-like structures, but they too collapse on impact.

Having now destroyed the ending of the book, your eyes now dart around the bathroom for a makeshift weapon against gum disease and madness; cellophane wrapping, cardboard, anything that can be stuck into your mouth to get rid of what now feels like the chicken leg, wing and beak.

Realising you didn’t even have chicken tonight, you decide, whilst in the bathroom, to have a pee, relax and take stock of the situation. Then, mid flow, you see it, like a glass of water in the desert, a thread, a loose thread hanging off a towel, and without thinking you reach out for it.

In hindsight maybe I should have locked the bathroom door.
After the crash, there I was, semi naked and semi dazed, trousers around my ankles, covered in piss, sprawled out on the cold tiled floor (which incidentally, was not doing me any favours in the sexual organ department), a towel around my head, and a bathroom littered with the torn pages of a book that no one was ever going to know the ending of.
And as I stared upwards past everyone’s faces, I noticed a tiny patch of ceiling that hadn’t been painted in, and I thought to myself …..’now, that’s fucking annoying’.

Do you know what else is annoying?

An artist apologising.

Should I apologise for painting a naked man? Or my work on 9/11?
Should I apologise for my career, my colours, my context?
Should I have apologised to a former art dealer, who then turned to religion and suddenly chastised me for my ‘immoral’ nudes.
The answer is no.

People will criticize, people will not understand and people will reject, but that’s just people.
To apologise as an artist is to say sorry for what I see, sorry for what I feel, sorry for what I do and sorry for being me.
As artists we must never apologise for being ourselves and for the work we do.

So here I am, and there you are, warts and all.

Just perfect.

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One of my favourite things to do is to watch a film, whereas before you would often find me browsing in bookshops, nowadays I’m scouring for films I’ve yet to see. From English films to discovering some wonderful foreign gems, I’ve lapped it all up.

But here’s the thing, if you asked me, would I like to learn, or try any creative endeavour, or even fix a tap, I would say yes. Knit a hat – yes, choreograph a song – yes, wear a sarong – yes, sole a shoe, learn kung foo, tea for two, yes, yes, yes.
In fact there isn’t really anything, that I wouldn’t like to learn or do, except for one thing.

Acting.

It isn’t even a conscious descision, its just something that I’ve never had the urge or inclination to do, in fact its always left me cold, and I think I know why.

Actors lie, an artist can never lie.

To be actor is to play a role, to be some one else, to pretend, but to be an artist there is no pretending, there is no playing a role, and there is no being some one else, the work will always expose you.

As I said to Steven Spielberg the other day, I said ‘Steven, Steven no, I will not be in your latest blockbuster, now don’t forget the milk, and call a plumber, the toilet’s blocked up again’.

So could I, would I, be an actor?

No, I’d be a terrible liar.

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A famous photographer was being interviewed, he was in his late eighties and had taken thousands of images over his long career, and when asked about all the life he had captured in his images, he simply replied that altogether, considering the split seconds of the camera shutter, his lifetime’s work of images amounted to maybe an hour of life captured.

‘Symphonies in Architecture’, part of a series of works based on the events of September 11th 2001, captures those split seconds between life, and death, and reflects them back at you.

Visually the work concentrates on the bold graphic lines of the architecture, but psychologically and underneath it all, it talks of a society and media that would rather not see, or think about, the people who lost their lives falling from the towers. By giving expanse to the architecture in the image, the jumper almost becomes a ‘blot on the landscape’, something you want to erase.

Artistically, the work plays on the element of hide and seek. By not focusing on the real subject matter it makes you question. By not knowing of what it speaks, you can only guess your answer. But once you really see, all original thought is gone. And it is in those split seconds, between the death of your previous and original thought, to the life of a new thought, that ’Symphonies in Architecture’ exists.
For the questions and answers you give, are but a reflection of you.

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At the very beginning of my career I was involved in a large group show, and in that show I had about 5 paintings, all were priced accordingly except for one painting that I couldn’t bear to sell, and so I priced it outrageously high, and it was that painting that a well known celebrity wanted to buy, the curator called me over to meet the celebrity and asked if I would be prepared to reduce the price, I mumbled something about pants, and subsequently, I lost the sale.

I learnt a valuable lesson from that day, and ironically the painting I so loved, the one that hurt too much to sell, I sold soon after, to fund a trip abroad, for a fraction of the normal price.

As an artist, sometimes its hard to let go, every time we create, from insemination, sorry, inception through the labour pains of creation, to its birth into the big wide world, each piece is a little piece of us, our very own child, and how do you let go of your own child?

I often wonder about past sold works, are they happy? Are they being looked after well? Why haven’t they called? Sometimes you even get to see them again and carry on your conversations. Like all large families you can’t help but have your favourites and the ones you are most proud of, and like a proud parent you show them off to your friends and even post photo’s online. Some will do better than others, some will even go on to university and museums, some will travel to other countries and other cultures, but even then, like all parents, you sometimes worry, are they getting too much sun? Have they been hurt? Are they ok?
But with a tinge of sadness and pride, I look to the stars and smile, knowing that someone, somewhere, is loving them too.

It is important, for us as artists to let go, it keeps us fresh, it declutters our minds and our studios, it allows us to move on, and if some one is willing to pay for our art?

Look up and smile.

As a wise man (not wise) once said (never happened) in this famous (not famous) proverb (made up)
If you love some one set them free, and if they come back, tell them the rent’s gone up.

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Dear G-d
You know I am the greatest artist in the world don’t you? I mean you promised, you promised if I ate all my greens and didn’t appear on a reality TV show, that I would be the greatest the world had ever seen. And yet you mock me now, you mock me…

Everything was going well in 2005, even though I was still reeling from the fact that Gwyneth Paltrow had married another man, I mean what did she see in the multimillionaire lead singer of one of the worlds most successful bands, that I didn’t have? I still refuse to answer her calls (whether she has called, is between me, her solicitor and a pretty comprehensive restraining order). My shows were doing well, my paintings were selling well and my ego was contemplating whether it was too soon to receive the Nobel peace prize for contributions to humanity through art.
But then, I met, him.

I love art, whether its old or new and whatever genre it may be, if I like it, I like it. I also go to shows, sometimes I fall in love and sometimes I think, are they serious or is this a joke? But no artist had ever troubled my mind, my seat amongst the great pantheon of the gods was safe, I simply went home and just carried on doing my thing, until one fateful day, when the one who cannot be named, came into my life.

I had known about him for a long time, having lovingly pored over his paintings in books, even pressing up close to the one painting the National gallery had in its midst, but then the incredible unthinkable happened, the National gallery were about to mount an exhibition dedicated to his later works, and with tickets selling fast, whatever happened, I was going to be there.

From the moment I walked in I knew I was in trouble, the sheer scale that books cannot do justice to, the sheer power that emanated from each canvas, it was if all the lines in the universe had converged, metal that looked and felt like metal, skin that looked and felt like the skin of old or new, the control of brush, the control of light, it was if I had foolishly stepped into the boxing ring with the heavyweight title holder, perspective…bam!, Colour…bam!, Composition…bam!, I felt my legs about to buckle, I wanted my agent, I wanted my mother.

And for the only time in my life I wanted to throw that towel into the ring, just put down my brushes and give up, why bother? What was the point? I was a beaten man, I had just witnessed raw power reining blow after blow in artistic brutal perfection. I left, gasping for air, dazed, confused, a gibbering wreck, I couldn’t eat, I couldn’t sleep, I forgot about the restraining order.

Dear G-d
As I sit here awaiting trial, I understand now the need for heroes, I understand now the need for self belief, and I understand now the importance of being humble, but what I don’t understand is this, if you could just take a look at paragraph 4(g), section C, line 6. Thou shall not pee in Ms Paltrow’s letterbox….

Michael Onona, the worlds 2nd greatest artist.

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